Last summer Russell Stevenson sat down with Rachel Steenblik and Caitlin Connolly, two women who have studied the concept of a divine feminine–or Heavenly Mother.
Rachel was the primary researcher on a BYU Studies article that identified known references to a Heavenly Mother in the Mormon historical record. Caitlin was commission to paint Heavenly Mother by Deseret Book.
Though it is assumed that we have a Heavenly Mother, she is rarely mentionioned in LDS Church discourse, with a preference to referring to Heavenly Father or Heavenly Parents.
Steenblick notes that most members are aware of the reference to a Heavenly Mother by Eliza R. Snow in “O My Father.” However, her song was not the first reference. W. W. Phelps wrote two pieces–one a few months before the Prophet Joseph Smith’s death and one a few months after. And in the nineteenth-century Church, a Heavenly Mother was not unfrequently referenced.
Three prophets of the twentieth century, Spencer W. Kimball, Joseph Fielding Smith, and Harold B. Lee, stated that women were created in Heavenly Mother’s image.
Contemporary Old Testament scholars see the divine feminine, or a Heavenly Mother, in scripture, though it is difficult for the lay person to identify those references.
Both women feel discussions of a divine feminine are important because they help to answer the question for women: “Where do I belong in the eternities?”